That is the response I got as I walked down the street in my Barcelona jersey yesterday. It is part of the Cant del Barca. Well, clearly I only got that response from Barca fans, I won't even mention the screams I got from Manchester United fans. I happen to live near the Man. United meeting spot. Not so good.
When I planned my trip to Rome I only considered two things: my desire to visit Rome again/study abroad and my desire to really learn Italian. I didn't even consider such crazy events like the Champions League final! I met some guys from Canada and Virginia that flew to Rome just for the final, and they didn't even have tickets!!! Yeah, I lucked out.
When I went to class on Friday, I saw this on the Spanish steps!
My class was interrupted by random cheers in the streets. Despite my inability to focus and learn, it was fantastic. I have an exam tomorrow so I am not going to write much, but things are still incredible. I have explored more of the city and have met more locals.
I watched the game yesterday in Campo dei Fiori with a bunch of Barcelona fans. Unfortunately, there was no viewing at the Coliseum. Roman authorities really cracked down on security... most bars were shut down and all locations were prevented from selling liquor 2 hours before the game. I was afraid of being stabbed so the security was good, in fact it kept things quite tame so it was almost disappointing. But it wasn't!!! The game was great. Everyone was in good spirits. And after we walked to the Spanish steps to continue the celebration. It was an incredible night.
Tomorrow I have an exam in the morning and wine tasting in the evening. Saturday and Sunday I will be in the Florence area.
So, I thought I would pick another cliche blog post title because I am in ROME! La Bella Vita! It is still pretty surreal. Everyday, I casually walk back to my apartment as if I live here. I mean, I do, but it is crazy considering the wonder of Rome. I am speaking Italian to locals when I buy food or a bus pass. Oh yeah, I also speak Italian with my host family. They barely know english. This is incredible!
I wish I was able to study abroad for an entire semester. I can't because of my double major and my jobs. However, when I consider the exchange rate I think otherwise. The euro is no fun. I am pretty sure that is the only downside of being here, well, other than the heat. But when held in perspective a little sweat is totally acceptable considering the experience. Also, a little sweat makes you look sultry. Ciao bella!
Tomorrow is the UEFA Champions League Final. Because of Rome's history of chaos during sports games, mainly soccer, public measures have been taken to prevent such drama. For example, authorities in Rome have ordered restrictions on alcohol during the final in order to "help curb trouble." I have been drinking red wine every day, but I can surely cope. I think only fanatic fans may have a problem. I am not one of the those fanatic fans, but I did want to go to the game until I saw the ticket prices... I think I will be fine watching the game on large screens at the coliseum tomorrow. AHHHHH so excited!!!
Even though I am in Rome, I can't resist searching my favorite political and tech websites. I am not visiting them as often, but definitely once a day or every other day. So, I checked Gizmodo yesterday and found a post about the June 1st New Yorker cover. Sounds average, especially after the Obama drama last year, but this cover was drawn entirely on an iPhone! So impressive!! First, to have fingers that... small? and second to have art featured on the cover of the New Yorker!
I left my iPhone at home but even with that huge absence in my life, I am staying in contact with people through the lovely internet. My friend Mark, partner in crime and business, sent me this useful TED conference video about standing out. It is valuable for any entrepreneur and I enjoyed watching it. I also learned a good bit, but I feel like most of the information is obvious if you consider advertising trends and successful products. However, despite the value of this video, one thing that really stuck with me is this company that makes your cremated family members into gem stones! Yeahhh, creepy. "Hey guys, guess WHO I am wearing on my finger?!"
Ok, now off to finish my homework, but here is a parting video >
Before coming to Rome, I planned to write daily blog posts recapping my trip for friends and family because it is interesting but also because I left my iPhone at home to avoid ridiculous fees. But during the last two days, I have done so much that what little free time I have is used for sleeping and homework. Yes, it is unfortunate I have homework but that is the reason I went on this trip - to learn Italian.
Here is what I did during my first weekend in Roma!
Went to the Coliseum.
Had a wonderful lunch overlooking the Coliseum and the forum.
Visited some events for the UEFA Champions League.
Went to the Forum.
Went to the center of Rome.
Went to the Pantheon.
Ate a sunset dinner with four courses at the Pantheon while listening to live opera.
Went to the Vatican.
Listened to music and the Pope at the Vatican.
Walked through the Borghese gardens.
Had coffee near the lake in the gardens.
Visited the Borghese gallery.
Saw my favorite statue of all time, Bernini's Daphne and Apollo.
I finally made it to Rome. On my way to Rome I experienced the worst flight of my life (I was delayed for a total of 25 hours, I sat next to a crying baby for my longest flight, and my connecting flight lost my luggage - actually no, they put one of my bags on a different flight arriving in another terminal so I confused Italian security when I tried to get through without a boarding pass and with a large bag...) but despite those problems, the little time I have spent here has already made up for it and then some.
For this trip, I signed up for an apartment and that is all I knew about my residence. I told the taxi driver my address and from there on it was a mystery. When I arrived at my residence, I saw this...
So beautiful! I buzzed the name that matched my assignment and this student came down to help me carry my luggage up the 6 flights of stairs (I will be getting lots of exercise on this trip!). She gave me a tour of the apartment and I was thrilled. My living arrangement is perfetto! I live with a mom, her daughter, and this young teacher. I signed up for an apartment, but technically it is a home stay but with less restrictions. I have my own room, my own bathroom, and I am allowed to eat anything in the kitchen. Feels like home already.
Here is the living room.
Here is my bedroom.
And here is the view from outside my bedroom. Yes, a Hitchcock poster! They knew I was coming.
It is surreal walking around Rome knowing I will be here for 5 weeks learning Italian. I love history, so seeing the incredible sites of Rome every day is fantastic. One girl in my class got lost yesterday near the Pantheon. My response was, "Oh so sad, the Pantheon..." incredible! When in Rome!
Here is a photographic tour of my path to class every day.
I take a bus from my apartment to the Piazza del Popolo.
Then I walk down a beautiful street to the Piazza di Spagnolo.
Then one block past the Spanish steps is my school!!!
After the first day of class we visited the Trevi fountain and ate gelato. Last night we went to the Campo dei Fiori for dinner and experienced the Italian night life. Strangely enough though, I didn't talk to many Italians... I found a group of Irish people from Belfast!
So, I love Rome. I could stay here forever. And yes, I am learning a lot of Italian. My friend forgot his address last night and he is in Italian 1, so translating directions for our poor taxi driver was certainly a fun experience for me.
I love traveling, but I hate planes. I have long legs and knee problems, so cramming into seats made comfortable for those averaging 5 feet or those skilled in contorting is not an enjoyable experience for me, no matter the destination or the mediocre quality of the in flight movie. However, right now, I wish my legs were cramping and I wish I was being fed rehydrated astronaut food. Instead I am in the airport waiting for the end of my 20 hour flight delay. What a great start of a soon to be wonderful trip. However, if I was in the mood to be a glass half full kind of person, my response would be - I am so glad they took 20 hours to fix the plane instead of sending us into the air in an unstable steel can.
So here begins my study abroad program in Rome, two goodbyes later.
Despite the road bump, I am thrilled to be returning to Rome 9 years after I awkwardly threw a coin into the Trevi Fountain. (Leah knows how awkward). I am enrolled in a 5 week Italian program in Rome, but I am staying in Europe for an extra week in order to visit some friends in other countries.
Until next time, hopefully I will be in Rome by then.
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Things of interest>
The American Stonehenge! I never wanted to visit the bible belt, but I will for this mysterious New World Order stone thing. I may be a rational university student, but I am fascinated by the paranormal and the mysterious. I did a physics project in high school on the Bermuda Triangle, I own the complete X-Files box set, I have taken a class about espionage and intelligence... so, when I picked up this Wired issue about the unexplainable I was thrilled. Road trip anyone? PS this current issue of Wired is guest edited by J. J. Abrams. Another shout out to Star Trek? Yes!!
Some of my recent discoveries that are quite nerdy>
I love the comics on Saturday Morning Breakfast Cereal. They are always pretty clever, but they are usually improved if you read the caption below. Apparently one of the benefits of math is solving irrational proofs that can boost your self esteem. Wait that's wrong... :)
Another hit at Twitter! Awesome. Thank you Middlebrow. Bring the beast down! However, the Middlebrow comics have a Twitter account... hmmm. I get why it is appealing, really I do, but so many other networking sites have more depth. If you are going to keep in touch with friends through a virtual environment at least allow for more points of connection or conversation, otherwise our society is doomed. Most people are already losing their social skills. I fear a future Wall-E world where we all communicate via computer and nothing else. Ok, resisting a rant... ahhhhhh it's difficult. One more thing - I want Twitter to start charging for accounts. Then everyone would quit the site. Well, I would hope.
So, I just discovered Ian Pool. He is a great photographer that captures moments that seem ordinary but with a closer look they either present an interesting narrative on society or something completely ridiculous and comical. I love all the photos, but I particularly love the series of superheroes (and villains) doing everyday activities. Like Doc Oct, from Spider-man, on the phone in his girly man room; the incredible Hulk walking a tiny little dog; or the one below with Vader. Genius! I guess superheroes don't have aliases.
Speaking of Vader, how did I miss this on Gizmodo?! The Vader Project gave 100 notable artists a scale Vader helmet to decorate. Their tag line is - "Pop culture meets evil dad." Where can I get one?!!!! This is like a mass produced DIY vinyl toy event.
I am a techno geek, and I am particularly infatuated with Macs. When I found this tutorial it made me so happy! Given my finals, I haven't looked into the specs of the process, but just the idea of making the Apple logo on a laptop into an LCD screen is awesome! And so purrrttyyyy.
Ok so before I show any more of my nerdy discoveries let me clear up some stereotypes. Nerds are not just geeks with glasses that play video games and have no sex life. Nerds are people who are intelligent and are usually focused on a particular hobby. Don't get me wrong, it can be the stereotypical video game hobby, but there are also technology nerds, design nerds, movies nerds, etc. In my case I am a little of all of those. That is one reason why I was even more amused by the Vader Project.
Given my design nerd side, I am entertained by average things that are improved by some sort of altering design element. Like the combs below that are shaped like knives. How cool is that?! A knife comb, hahahaha!
Here is another example of being a design nerd - the graphic design heroes t-shirt collection. If you don't know who Paul Rand or Milton Glaser is, then you are definitely not a design nerd, or even remotely clued into design history.
Considering all the crazy designed things out there, this has to be the craziest - designer axes. Almost everything I own is somewhat designed - I have a Lego shaped external hard drive, I have pillow shaped like a log... even my dish scrubber is designed (it looks like a porcupine!). But why would anyone ever need a designer axe? The only people that use axes are foresty-woodsy people, farmers, firefighters, murderers... who else? I don't know, but I am pretty sure people who need axes don't really care if the handle is pink or green. I would categorize this as a failed design job.
ODJ stands for Old Deaf Jimmy. Jimmy is not a friend, in fact I have never met him. I just hear stories about him... amazing stories.
So Jimmy works with my friend Andrew. Here is Andrew's description of the man,
"ODJ is a 75 year old Chinese immigrant who has been working as a translator with the same company for 35 years. He isn't particularly overweight, but he does have heart problems. I met him just after he had quadruple bypass surgery. He is the nicest guy in the world with good intentions, but he is literally IMPOSSIBLE to understand sometimes."
I am not sure why his heart problems are relevant because our focus is on Jimmy's inability to understand or be understood in conversation. Hopefully he only translates documents.
So when ODJ is lost in translation, Andrew recaps the funny conversation, or really lack of conversation due to confusion. The stories I hear are fantastic, and because of that I convinced Andrew to write a blog about our friend ODJ. Andrew created the blog, but he only has two posts so far. Both written in early March. And the first post isn't even an ODJ story, it is a description of the blog and apparently my state of being possessed by the blogosphere. Lame!
Because of Andrew's epic failure to maintain his blog, I am typing up the some of the ODJ stories he has shared through text messaging while at work.
Enjoy.
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ODJ: you ever use the scoopie? ODJ: you know the call you can make with your computer Andrew: Oh Jimmy you mean skype? ODJ: Oh so the E is sirent
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ODJ: where you on Tuesday? Andrew: some friends from out of town wanted to go to Disneyland. ODJ: you are the Disneyland.... UH, uh, uh, uh, uh, the ddisneyland uh... Guy!
Twice ODJ has asked who the lady is on Andrew's mug. The lady isn't a lady. He is Garth from Wayne's World
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Jimmy thanked Andrew for helping him with an excel problem by showing him a video on his iPod. An inappropriate video for work.
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ODJ: I like going to West Covina office because they have genital services Andrew: uuuummmm what? ODJ: you know genital services. They clean everything. Andrew: Ohhhh janitorial services. ODJ: Oh yeah...
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ODJ: I'm wondering you is a fan of simons and garfunkel
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ODJ: do you watch person escape? Andrew: what? ODJ: that TV show with the prison Andrew: you mean Prison Break
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If you enjoyed reading these ODJ conversation recaps you may also like Engrish.com.
If you didn't enjoy the short ODJ anecdotes, too bad. They are hilarious, especially when recapped by Andrew. Unfortunately, he fails to see the fun of blogging.
One more final until I am a senior! That explains why I have been absent from my blog. Technically, I have been a senior for a while (according to units), but I won't consider myself a senior until I am in my fourth year of school. Some people graduate early, some become super seniors, some sign up for the progressive degree program, and some even pull a Van Wilder, but for me, four years is perfect. You see the natural progression of college life through those four years, and I enjoy carpediem-ing ever minute.
Speaking of Van Wilder, this guy Johnny Lechner has been a college student since 1994. Wow. At least he has multiple degrees, but why not continue your education at a different level? How about a masters degree Johnny? His logic makes no sense and he has by far the most poorly designed website I have ever seen. Actually no, this website may be the worst. Speaking of bad design, check out USC's newest sculpture...
I needed to know what this thing is, so I searched the USC website and found this description in the news section - "A stunning bronze fountain, "Generations," sculpted by ArisDemetrios, is up and running northwest of Leavey Library, across from Stoops Education Library."
It is far from stunning. It is awkward not only in appearance but also in location. It has no relation to the environment. It is a huge bronze block next to the library. It looks like cheap brushed metal and how it represents "Generations" is beyond me. You could argue that the different sections of the fountain and the flowing curves symbolize generations, but I think it's a stretch. It's just ugly. USC has one of the worst public sculpture/fountain collections I have ever seen. Like my other favorite ugly fountain near the Engineering School. I hope I don't look that emaciated when I graduate. Clearly, money doesn't buy taste.
Here is a research paper I wrote for my Writ 340 class... enjoy? (I am usually uncomfortable sharing my writing, so I am impressed that I actually posted this.)
I found this video after I wrote my paper. It is an interesting companion to my paper.
As a result of globalization, consumerism has defined a new economic model that thrives on the specificity of supply and demand. This public consumption has challenged many products including art, which has far departed from traditional subjects and presentation spaces in order to offer accessibility to the general public. This departure has established new artistic narratives rooted in the method of display paired with the subject. Due to the increased access and production of art there is an excess of artwork. This mass production creates a constant visual spectacle for the masses. This is seen through most products like shirts or magazines, and also public spaces like billboards and public transportation vehicles. This visual spectacle has been acknowledged by theorists and artists alike, and now creates the new dilemma of how to wade through the mass production for an established meaning often clouded by advertisements. Guy Debord, a Marxist theorist, acknowledges how consumerism is defined by the spectacle, and how with the rise of this consumerist culture, the social experience is defined less by production and more by marketing and mass consumption (Debord 12). Art is abused for the purpose of this spectacle and when paired with institutional “relations of power,” recognized by French philosopher Michel Foucault, the public suffers from exploitation in order to serve economic and social interests (Clifford 139). But this exploitation remains primarily because of the masses’ inaction and indifference to the established systems.
Banksy, an anonymous British graffiti artist, has found a successful solution to this dilemma of power relations and visual spectacle that has resulted from mass production and the established structural systems. He uses graffiti art that is controversial both in subject matter and application to express his criticism of this current system. Banksy boldly calls attention to this spectacle and the political establishments of modern society through the practical use of graphic silhouettes and iconographic imagery in public spaces in order to address the frequent exploitation and inaction in society.
Banksy’s work is well known but he remains anonymous in order to focus on the narrative of his work and not its author. Consumerism runs on branding, by-lines, and labels in order to sell an object through public identification. There is a huge emphasis on the value of a name so Banksy’s anonymity not only brings intrigue to his work but also emphasizes his purpose of recognizing the spectacle that results from mass consumption. There is little the public knows about Banksy’s personal life, but his political and social opinions are clearly expressed through his artwork like in his Happy Chopper piece, Fig. 1, where he adorned a war time helicopter with a bow and a cheerful phrase in order to create a satirical image that allows for public shock or recognition of the negative subject (Banksy, Wall and Piece 38).
Fig. 1. Banksy, Happy Chopper. 2003. Wall and Piece. Banksy. New York: Random House UK, 2007
Banksy has created other, similar images that target political institutions, human crimes, and mass consumed products. Though anonymous, he maintains an active website (see <http://www.banksy.co.uk>) and he has published a book in order to make these critical images even more public than they already are.
Banksy began his graffiti art at young age, and with his experience and he learned how to perfect his techniques, like silhouetting, allowing for his current success in conveying his ideas. In his book, Wall and Piece, Banksy recalls a time when he was eighteen and almost got caught trying to paint “LATE AGAIN” on a passenger train (Banksy, Wall and Piece 13). While hiding from the cops he saw some stenciled text and realized that stencils would improve his graffiti time and allow him to make large bold work that would easily express his ideas. From that point, Banksy perfected his method of graffiti through the development of silhouette-like art. In 2001, Banksy began receiving international attention because of his public stencil work that revolved around “creating art that interacts with its environment - and usually with a satirical, often political, bent” that “exists somewhere between Marcel Duchamp and Houdini” (Fahy 4). James Fahy is accurate in his characterization of Banksy. Banksy is defined by his unconventional methods and critiques of production like Duchamp, and with his Houdini like skills he covers public canvases with his political satires. This description is mildly obscure, but then considerably specific considering the anonymity of Banksy.
These characteristics along with his anonymity provide a unique dimension for establishing a public narrative filled with questions and irony. Banksy states that “it takes a lot of guts to stand up anonymously in a western democracy and call for things no-one else believes in – like peace and justice and freedom” (Banksy, Wall and Piece 35). Though a hyperbolic statement, it is part of his manifesto to call attention to abuses in culture whether it is exploitation or inaction. There are other people in the world who preach similar ideas, but few have successfully expressed this through art in a way that is absorbed by the public as something more than artistic spectacle. Graffiti art is risky because of its illegal nature, but the risk allows for a public image that will gain many spectators.
Banksy’s art criticizes injustices in society and his covert actions reinforce his messages. Michel Foucault recognized that through the disciplinary training of a political system subjects will act in accordance with the norms to serve economic and social interests (Foucault). It is an established society that exploits the individual and allows for institutions to grow, like the fear created in the panopticon, an architectural figure developed by Jeremy Bentham (Foucault). The panopticon is a prison-like structure and within the structure there is an area where it is possible to survey every prisoner, but the prisoners cannot see the guards making it impossible to identify when one is being watched (Foucault). This fear and uncertainty is the reasoning behind why the general public does not violate governmental laws. This same government fuels monopolies and subordination, eventually leading to public inaction and numbness. Banksy sees the injustice in this fear and as a result creates images like Fig. 2 where a British Royal Guard, the Queen’s guard, is peeing on a wall in order to question and ridicule the system and it’s power.
Fig. 2. Banksy, 2002. Wall and Piece. Banksy. New York: Random House UK, 2007
Banksy challenges the state’s exploitation and the public’s inaction through his work’s humor and irony to identify injustices. These are large claims, but the general “relations of power” that Foucault calls attention to is present in multiple scenarios and Banksy addresses this relationship by displaying his art in multiple locations in order to publicly encourage action more broadly. Banksy cites the following Emo Philips quote as his personal manifesto:
When I was a kid I used to pray every night for a new bicycle. Then I realized God doesn’t work that way, so I stole one and prayed for forgiveness. (Banksy)
The quote is both simple and direct, like his art, and it is precisely what Banksy emulates in his work, movement for change rather than inaction so wrongs can be identified. Banksy recognizes that “A lot of people never use their initiative because no-one told them to,” so Banksy has become a guerilla street artist in order to be a driving force to encourage action or at least recognition of certain conditions (Banksy, Wall and Piece 21).
Banksy presents his political messages through a variety of artistic mediums, but his most well known work is his graphic silhouette-like graffiti. The use of silhouettes in Banksy’s work is essential considering the risk of graffiti art. With experience, Banksy has found that stenciling silhouettes expedites his work and provides him with more opportunities and locations to adequately display his satirical work given the risk. Silhouettes have a diverse history; some historians dating the technique back to Egyptian and Greek artistic styles, but despite the complicated history, silhouettes generally remain associated with simple European portraiture and not graffiti (Knipe 206). The name “silhouette” was derived from Etienne de Silhouette, King Louis XV’s finance minister. The minister was highly conservative and his stringent monetary tactics established his public reputation as cheap, and as a result cheaply made things were labeled a la Silhouette (Knipe 204). The value of silhouette portraiture was lost with the invention of the camera, but the technique has remained in art and is now being modified in application as seen in Banksy’s graffiti strategy.
Silhouettes are valuable because of their simplicity and “cheapness”, but they are also important for a spectator’s quick recognition and interpretation of the art. In art, there is often the assumption that more detail is better because it clarifies the subject with specifics. However, minimalist art is reduced to fundamental features, identifying the core of the subject for identification. The clarity of the work is up to interpretation, but with a silhouette, similar to minimalism, “nothing is obscured by irrelevant lines… no figure-ground organization is necessary, nor is any special set required by the observer” (Crowley 303). The “cheapness” of silhouetting, identified with its history, is not only practical financially but it ties back to Banksy’s critique of consumerism and “relations of power” (Clifford 139). This “cheap” graffiti art becomes part of the spectacle and with its content, but eventually rises above and actually ridicules its means. Banksy uses public spaces to display his art, so simplicity allows for quick identification of objects in a fast paced environment. Though easily recognizable, silhouettes can also mask certain elements, creating an evolution of meaning through increased observation. Due to the simple form of a silhouette, people assume what the image is but with a closer look finer details can be realized.
Kara Walker is a studio artist, but she utilizes silhouettes for this very purpose of evolving meaning in a simple image. At first glance, Walker’s work seems romantic and poetic with childlike silhouettes channeling historical caricatures. Her trees set a stage for “stock” characters involved in a fairy tale, but when observed more closely disturbing elements become apparent causing discomfort in the spectator through sad realizations of cliché stereotypes and harmful race and gender realities (Pinder). For example in Kara Walker’s Cut, Fig. 3, the black silhouette appears to be a graphic image of a girl dancing, but then once realizing the finer details the spectator is aware of the suicidal action of the subject cutting her wrist.
Fig. 3. Kara Walker, Cut. 9 April 2009 .
The silhouettes allow for the stereotypical historical associations, but when paired with sexual and grotesque imagery additional narratives evolve. Walker uses recognizable antebellum clothing for quick reads of her silhouettes. Banksy utilizes public icons like Mickey Mouse, children, The Mona Lisa and other similar images for quick recognition like Walker, but also to put emphasis on his unique social commentary.
Banksy uses silhouettes because of the ability for additional concepts to evolve and with his use of contradicting elements he calls attention to current societal conditions. Upon first glance of Banksy’s Bomb Hugger piece, Fig. 4, a cute girl is easily recognized, but with an extended look it is realized that a bomb is in her arms.
Fig. 4. Banksy, Bomb Hugger. 2003. Wall and Piece. Banksy. New York: Random House UK, 2007
Similar Banksy works include: a tank with a megaphone on top, a religious icon with a halo circling a gun, a British Royal Guard spray painting the anarchy sign, and the iconic Che Guevara image repeated but slowly melting away. These images are always bold and eye catching, appealing graphic art for the masses, but the combination of conflicting elements establish critical narratives that identify current conditions. Bomb Hugger critiques current events of war and how war is perceived through the media, affecting children. The Che Guevara piece, Fig. 5, calls attention to mass media and how many people purchase this iconic image on products, but the meaning is lost through the excess of production.
Fig. 5. Banksy. Wall and Piece. Banksy. New York: Random House UK, 2007
Banksy put the collection of images on a bridge above an area in London that sold Che products
These satirical images challenge the viewer to consider the connotations not only of the image but its location, which adds meaning when recognizing nearby landmarks or local historical events. Banksy has artwork in the south that relates to racial issues as well as social problems that were addressed with the aftermath of Hurricane Katrina (Banksy). The images are eye-opening and make a strong statement about human establishments. By making these images public they are unavoidable and often shocking considering the circumstances, whether it be the location or the subject. Like Banksy’s particularly controversial piece where he painted a KKK member hanging in a noose on the side of a Chevron station in Alabama (Fahy 4). This strategy is similar to how Debord aimed to redefine conditions in order to show reality. Debord presented a concept called the dérive, which is an example of seeking truth and transforming social order. Acknowledging that spectacles are a denial of life, the dérive aim to wander in order to study a terrain or create “emotional disorientation” to construct “real” situations (Theory of the Dérive 52). They simply do unconventional things to confuse and awaken people to “reality.” Banksy does not believe that people are disillusioned like Debord, but Banksy does believe that his public graffiti can help construct change in action and reaction by awakening people to harsh realities.
Graffiti allows Banksy to criticize and challenge society through his subject and application. Banksy recognizes the controversy of graffiti but believes that “despite what they say, graffiti is not the lowest form of art… it’s actually one of the most honest art forms available. There is no elitism or hype, it exhibits on the best wall a town has to offer and nobody is put off by the price of admission” (Banksy, Wall and Piece 8). Knowing the possible power of graffiti when used appropriately, Banksy even encourages others to participate. For a series, Banksy stenciled traditional type on public walls “legalizing” graffiti like in Fig. 6 (Banksy, Wall and Piece 60).
in order to clearly articulate his statement about “the endless recycling of an icon” and how people wear and absorb revolutionary products but never take any actions themselves (Banksy, Wall and Piece 47).
Fig. 6. Banksy. Wall and Piece. Banksy. New York: Random House UK, 2007
Soon after he stenciled these signs, the walls were covered with graffiti showing the true structural power of public institutions as discussed by Foucault. This series identifies how the masses are aware of guidelines and yearn for extended self-expression but remain idol unless cued to act. Often Banksy displays satirical images to critique wrongs in society hoping to encourage action, but give the existing numbness sometimes Banksy takes the extra step to call for it like Fig. 6 or in similar work where he stenciled text stating, “Designated Riot Area” (Banksy, Wall and Piece 67).
Banksy is widely appreciated, but even those that do not respect his work are unable to ignore his messages because of the techniques he uses that incorporate graphic imagery and public spaces. Banksy has identified his own manifesto but his ideology is more appropriately defined by a quote from the Indian Mystic Osho, “Creativity is the greatest rebellion in existence.” Banksy sees the injustices in society, formed through consumerism and governmental control that spawns a public numbness. Banksy uses his creativity and unique graffiti method to rebel and to encourage rebellion. He adds to the visual spectacle present in society in order to criticize it through his satirical images. His method and his imagery are both ironic in nature to call attention to societies wrongs. Though anonymous he is able to make a call to action or at least awaken the public.
Works Cited
Banksy. 20 March 2009 .
Banksy. Wall and Piece. New York: Random House UK, 2007.
Buzzell, Colby. "I Am Banksy." Esquire Dec. 2005: 198-204.
Clifford, Michae. Political Genealogy After Foucault Savage Identities. New York: Routledge, 2001.
Crowley, Miriam E. "A Puzzle-Picture in Silhouette." The American Journal of Psychology 65 (1952): 302-04. Jstor. University of Southern California. 23 March 2009 .
Fahy, James P. "Breaking the Banksy." Birmingham Weekly 11 Sept. 2008, 12th ed., sec. 2: 4-6.
Guy Debord. “Theory of the Derive.” The Situationist International Anthology. Ed. And trans. Ken Knabb. Berkeley: The Bureau of Public Secrets, 1981 (no copyright). 50-54, 372.
Guy Debord. The Society of the Spectacle. Trans. Donald Nicholson-Smith. New York: Zone Books, 1994. 11-24
Kara Walker. 9 April 2009
Knipe, Penley. "Paper Profiles: American Portrait Silhouettes." Journal of the American Institute for Conservation 41 (2002): 203. Jstor. University of Southern California, Los Angeles. 23 March 2009 .
"PART THREE: DISCIPLINE 3. Panopticism." Michel Foucault: Panopticism. 22 Aug. 2001. Cartome. 2 Apr. 2009 .
Pinder, Kymberly N. "Missus Kara E. Walker: Emancipated, and On Tour." The Art Bulletin 90 (2008): 640-49. ProQuest. University of Southern California. 23 March 2009 .
One night last year while partying with my next door neighbors the topic of business came up. Usually a taboo subject while having fun, it somehow became increasingly interesting as my neighbors began to reveal their surf business called Momentum. I immediately told Mark and Matt that I am a graphic designer and that I would love to work with them. That night spawned an awesome work relationship that has continued to grow. With Momentum I have designed many (many!) shirts given my primary role as design director, but I also helped in organizing parties and other promotional things. Recently, Mark promoted me to COO, so I will be doing a lot more in the future.
My work may be interesting to read about, but this post is primarily to congratulate the two Momentum founders, Mark and Matt, for being featured in the LA Business Journal!! In the article, these two sexy men recapped their passion for surfing and how it grew into their entrepreneurial relationship. Read the article and be impressed. Go Momentum!
A few sites have recently posted the same video showing a compilation of Disney animated sequences that identify the fact that Disney has character templates. The Dark Roasted Blend blog wrote this about it - "Some sequences were used as templates, and I don't see a problem with that... This is however a valuable glimpse into the animation kitchen of Disney's dream factory." I essentially agree. The Disney animators are only copying their own work, however, it does make you consider some Disney animated classics in a different light. My friend Andrew told me about this video while at Disneyland this Sunday. It shocked me at first, but knowing the difficulty of animation it is somewhat understandable. Also, this video is a reflection of today's society - pessimistic and skeptical. This video would not have been made in the prime of Disney animation. It was too beautiful and precious. I could totally be wrong, and this copying could be a known fact, I just ramble... Either way, interesting video.
Looks like Disney characters have the same dance instructors.
and undoubtedly one of the best concerts I have been to!
(my photo, I was only a few rows away from them!)
Michael McKean, Christopher Guest, and Harry Shearer recently reunited to go on tour playing an all acoustic show focused on the fictional musicians they created in This is Spinal Tap and A Mighty Wind. I bought the tickets a few months ago when I found out about the tour. I didn't know who I was going to go with, I just knew I had to go. This is Spinal Tap and A Mighty Wind are brilliant mock-umentaries that beautifully combine comedy and great music. I enjoy both the rock and folk music they sing in these films, but above all I appreciate their dry-wit humor and its subtleties. For example in Spinal Tap the same bass notes are played by multiple musicians.
David St. Hubbins: Can you play a bass line like Nigel used to on "Big Bottom?" Can you double that? You might recall the line's in fifths.
These comedians played off this joke when performing for the Live Earth concert with 20 bass players. AKA: "every bass player in the known universe," including Foo Fighter's Nate Mendell and Metallica's Kirk Hammet. The humor in their films/performances not only includes musical satire but their characters also add a huge amount of comedy. For example, consider the shirt below. Here is the dialogue that accompanied this shirt in the film:
[Marty compliments Nigel on his tee shirt] Nigel Tufnel: You like this? Marty DiBergi: It's very nice. It looks like hollow wood. Nigel Tufnel: This is my exact inner structure, done in a tee shirt. Exactly medically accurate. See? Marty DiBergi: So in other words if we were to take all your flesh and blood... Nigel Tufnel: Take them off. This is what you'd see. Marty DiBergi: It wouldn't be green though. [Nigel points at Marty] Nigel Tufnel: It is green. You see how your blood looks blue. Marty DiBergi: Yeah, well that's just the vein. That's the color of the vein. The blood is actually red. Nigel Tufnel: Oh then, maybe it's not green. Anyway this is what I sleep in sometimes.
I bought this shirt at the concert. Awesome!
The concert contained this kind of humor but everything was "unwigged and unplugged," meaning the men were out of character and the show was acoustic. It may sound less entertaining because their ridiculous characters added to the humor of their films, but actually it was more amusing because it allowed for more comedy and an easy transition between songs. There was no opening act, so the men just came out and began the show.
They started essentially like this:
They performed a good amount of songs including a folksy version of The Rolling Stones' Start Me Up and a sexy jazz version of Big Bottom.
If the songs weren't funny enough, the men included a few little comedy routines, like awarding one lucky guest in the audience a special chance to experience Spinal Tap in 3D. Sounds cool, but it was basically the audience member standing in front of the stage in 3D glasses while the guys performed a song and waved their arms in front of his face. Absolutely brilliant!
At another point in the set they read from a NBC document stating what parts of Spinal Tap were inappropriate to air on TV. They started reading - 5 minutes in... 11 minutes in... The entire movie was deemed inappropriate, understandably in some points, but the document and the way they read it was hilarious.
I enjoyed every aspect of the concert and I laughed the entire time. My face even hurt after. It was a fantastic experience and I could easily write another book post, well, this is already pretty long but I will hold back and fondly remember my night with Spinal Tap! Joel and I deemed it epic!
At USC, I am currently in the Writing 340 class for visual and performing arts. Given that it is a writing class, we obviously write a lot, but one of our most recent assignments was a group project. The purpose of this project is to have people from different disciplines collaborate and create something. Honestly, anything. Several projects were presented this Thursday. Two were films, but with very different approaches and techniques, making it difficult to even compare them.
My group also presented. Our group name is team blAWESOME. It is meant to be a combination of blaw and awesome, but when spoken it sounds like blossom. Unfortunately. We also have two alternative names - The Disciples of Feagin and the Feaginites. Both inspired by our teacher, Feagin, if you couldn't tell.
So, who is team blAWESOME?
Allison the actress. Brian the filmmaker. David the game designer. And me, Katherine the graphic designer.
We were unsure about what to do with all our talents, but after a short discussion we decided to make a video game. Nothing cooler, right?! But we had no idea what the game would be about. We all have very different interests and experiences with video games. We decided to sit on the idea and about a week later we began the most bizarre brainstorming session ever. Below is our thought process. I included this exact copy in our PowerPoint presentation and before I began speaking, the slide was greeted with an eruption of laughter because of the ridiculousness of the content.
OK, here we go:
cats vs. dogs OR pirates vs. ninjas what about cat ninjas vs. dog pirates? I want the cats to have wolverine claws! We need laser eyes! what about an alley cat? roaming the streets? cat in the big city? what if the cat was frozen and then had to deal with modern times? like a pre-historic cat? like a saber-tooth tiger? or kitten!!
And that is how we arrived at saber-tooth kitten.
From there we decided on a basic plot, which Brian refined and greatly improved. There are no longer vampires or pterodactyls in the Arctic.
Now with a plot I could do some design. However, I know nothing about designing video games. I own many, but I have never considered designing for one. I work with text and images. Static things. Sometimes I have to create illustrations, but rarely. Ahhhhh video game art! I wasn't sure where to begin, so I started with my favorite program, Adobe Illustrator, and drew some ice with the pen tool. No big deal. Ice is rigid. My design worked.
But then came the saber-tooth tiger kitten. My tablet is at home so I had to draw with my laptop mouse. Probably the worst idea ever, but I made it, an illustrated saber-tooth tiger kitten! Below is its evolution. I had to rework it because the first one was bug eyed, awkward, and it looked like Garfield. The second one looked a little like Simba, but way less cute. So I merged the two and got our protagonist, Raz!
Wooooo I did a cute little vector illustration! I thought I was done, but then David requested different images so he could make Raz move in the video game. I had no desire to redraw this thing four more times, so I used the direct select tool in illustrator and just moved the legs around. That is why the positions are a little odd, but they worked well enough for the game.
Allison did some character research for Raz in order to prepare for a voice over, but we never actually got around to recording her voice. (With these projects, there is no established end. Presenting unfinished pieces was acceptable).
Then David took all our work and coded a video game. A working video game, well kind of. It has a few kinks. But when we busted out the game for our presentation and played it, the class got so excited. I have never had so much fun giving a presentation. David and I may actually work to complete the video game.
